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English Literature

English Literature

★ Old English literature (450-1066)
Middle English literature (1066-1500)
– ( 1066-1340- The Aglo Norman Age)
– (1340-1400- Age of Geoffrey Chaucer )
– (1400-1485 – The Barren age)
★ English Renaissance ( 1500-1660)
– (1500-1558- The Preparation Age)
– ( Elizabethan & Jacobean Period -1558-1625)

★ ( Edmund Spencer, Christopher Marlowe, Sir Walter Raleigh, Ben Jonson, William Shakespeare, Thomas Kyd) (Memory Clue: Walter & Kyd JSC āĻĻāĻŋāϞ )

★ (1625-1660- The Caroline Age)

– (1649-1660- The Commonwealth) (Jhon Dryden, Jhon Milton, Jhon Buniyon)

★ Neo-Classical period (1660-1798)
– (Restoration Age – 1660-1700)
– (Augustan Literature- 1700-1750)
– (Age of Sensibility- 1750-1798)

★ 19th century literature ( *Romanticism- 1798-1832,
*Victorian literature- 1832-1901)

English literature since 1901 ( Modernism- 1901-1939)
– The Edwardian Period (1901-1910)
– The Georgian Period. (1911-1939)

★ The Post modern Period (1939- present)
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Anglo-Saxon:
â€ĸ Caedmon – āĻā§āϝāĻžāĻ‚āϞ⧋-āĻ¸ā§āϝāĻžāĻ•ā§āϏāύ āϝ⧁āϗ⧇āϰ āĻŽāĻŋāĻ˛ā§āϟāύ āύāĻžāĻŽā§‡ āĻĒāϰāĻŋāϚāĻŋāϤāĨ¤ Genesis andd Exodus of the Judith āϤāĻžāρāϰ āĻ—ā§āϰāĻ¨ā§āĻĨāĨ¤
â€ĸ Cynewulf – Juliana āϤāĻžāρāϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻ•āĻžāĻŦā§āϝāĨ¤
â€ĸ Adam Bede: The Ecclesiastical History of the English āϤāĻžāρāϰ āϧāĻ°ā§āĻŽā§€ā§Ÿ āχāϤāĻŋāĻšāĻžāϏ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āĻŋāϤ āĻŦāχāĨ¤
â€ĸ Bewulf – āĻĒā§āϰāĻĨāĻŽ āϞāĻŽā§āĻŦāĻž āĻ•āĻŦāĻŋāϤāĻžāĨ¤

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Geoffrey Chacer (1343-1400)
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â€ĸ Father of modern English Poetry.
â€ĸ āϤāĻŋāύāĻŋ āĻ›āĻŋāϞ⧇āύ āĻŽāĻ§ā§āϝāϝ⧁āϗ⧇āϰ āϏāĻ°ā§āĻŦāĻļā§āϰāĻˇā§āĻ  āĻ•āĻŦāĻŋāĨ¤
â€ĸ āϤāĻžāρāϰ āĻŦāĻžāĻŦāĻž āĻ›āĻŋāϞ⧇āύ āĻāĻ•āϜāύ āĻŽāĻĻ āĻŦā§āϝāĻŦāϏāĻžā§Ÿā§€āĨ¤
â€ĸ āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨāσ (BC HeLP)
– The Book of Duchess
– The Canterbury Tales
– The House of Fame.
– The Legend of Good Women
– The Parliament of Fowls.

John Wicliff: Translated Bible into English.

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★ The Rennaissance Period (1500-1660)
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â€ĸ Renaissance āĻ•āĻĨāĻžāϟāĻŋāϰ āĻ…āĻ°ā§āĻĨ – āĻĒ⧁āύāĻ°ā§āϜāĻ¨ā§āĻŽ (rebirth)
â€ĸ Nicholas Udall- Considered as first writer of comedy. āϤāĻžāρāϰ āĻĒā§āϰāĻĨāĻŽ āĻ•āĻŽā§‡āĻĄāĻŋ Ralph Roister Doister.

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The Elizabethan Period (1558-1603)
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â€ĸ Henry VIII āĻāϰ āĻ•āĻ¨ā§āϝāĻž āϰāĻžāĻŖā§€ āĻāϞāĻŋāϜāĻžāĻŦ⧇āĻĨ⧇āϰ āύāĻžāĻŽāĻžāύ⧁āϏāĻžāϰ⧇ āĻ āϝ⧁āϗ⧇āϰ āύāĻžāĻŽāĻ•āϰāĻŖ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇ Elizabethan Period.
â€ĸ āĻ āϝ⧁āĻ—āϕ⧇ āĻ¸ā§āĻŦāĻ°ā§āĻŖāϝ⧁āĻ— āĻŦāϞāĻž āĻšā§ŸāĨ¤

â€ĸ āĻ•āĻŦāĻŋāĻĻ⧇āϰ āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ EF MS KB
(Edmund Spencer, Francis Bacon, Christopher Marlowe, āĻļ⧇āĻ•ā§āϏāĻĒāĻŋ⧟āϰ, Ben Johnson, Thomas Kyd)

University Wits ( Marlowe, Kyd, Nashe, Greene, Pelee, Lodge)

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Edmund Spencer (***)
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– Called Poet of Poets
– The Shepherds Canlendar. ( āĻ āĻ•āĻžāĻŦā§āϝ āϟāĻŋ āϰāϚāύāĻž āĻ•āϰ⧇ āϤāĻŋāύāĻŋ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻšā§Ÿā§‡ āϝāĻžāύ)
– Prince of poet in his time (āϤāĻžāϰ āϏāĻŽāĻžāϧāĻŋāϤ⧇ āϞ⧇āĻ–āĻž)
– The Faerie Queen (āĻŽāĻšāĻžāĻ•āĻžāĻŦā§āϝ)
āĻŦāĻŋāώ⧟āĻŦāĻ¸ā§āϤ⧁āσ āĻĒāϰ⧀āĻĻ⧇āϰ āĻĻ⧇āĻļ⧇āϰ āϰāĻžāĻŖā§€ āĻ—ā§āϞ⧋āϰāĻŋ⧟āĻžāύāĻž ⧧⧍ āĻĻāĻŋāύāĻŦā§āϝāĻžāĻĒā§€ āĻāĻ•āϟāĻž āĻ‰ā§ŽāϏāĻŦ⧇āϰ āĻ…āĻžā§Ÿā§‹āϜāύ āĻ•āϰ⧇āĨ¤ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻāĻ•āĻĻāϞ āĻ‰ā§ŽāĻĒā§€ā§œāĻŋāϤ āĻŽāĻžāύ⧁āώ āĻāϏ⧇ āĻĻ⧈āĻ¤ā§āϝāĻĻ⧇āϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ⧇ āĻ…āĻ­āĻŋāϝ⧋āĻ— āĻ•āϰ⧇ āĻ…āĻžāϰ āϰāĻžāĻŖā§€ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻāĻ•āϜāύ āĻŦā§€āϰāϕ⧇ āĻāχ āĻ‰ā§ŽāĻĒā§€ā§œāύ āĻŦāĻ¨ā§āϧ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāĻžāĻ āĻŋā§Ÿā§‡ āĻĻ⧇āύāĨ¤ āĻāχ āĻŦāĻžāϰ⧋āϜāύ āĻŦā§€āϰ⧇āϰ āĻ•āĻĨāĻž āĻŦāĻ°ā§āĻŖāĻŋāϤ āĻšā§Ÿ āĻāχ āĻŽāĻšāĻžāĻ•āĻžāĻŦā§āϝ⧇āĨ¤

– Astrophel
– Amoretti
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Francis Bacon
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-Essayist
-Father of English Prose
– master of aphorism.
– āĻĒāĻžāĻ°ā§āϞāĻžāĻŽā§‡āĻ¨ā§āϟ āϏāĻĻāĻ¸ā§āϝ āĻ›āĻŋāϞ⧇āύāĨ¤
– GSP ( Of Great Place, Of Studies, Of Truth, Of Plantation)
– Revenge is a kind of wild justice.
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Quote:
â€ĸ Reading maketh a full, conference a ready man, writing an exact man.

â€ĸ Some books are to be tasted , others to be swallowed and some few to be chewed and digested ”

â€ĸ Opportunity makes a thief.

– Father of English Tragedy
– True Founder of English Drama.
– Pioneer of Blank Verses.
â€ĸ Drama
– The Tragedical History of Dr. Faustus (āĻ…āĻŽāĻŋāĻ¤ā§āϰāĻžāĻ•ā§āώāϰ āĻ›āĻ¨ā§āĻĻ⧇ āϞ⧇āĻ–āĻž)
– The Jew of Malta
– Tamburlaine, the Great (1589)

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Shakespeare (āĻļ⧇āĻ•ā§āϏāĻĒāĻŋ⧟āϰ) (1564-1616)
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* āύāĻŋāϰāĻĻ āϏāĻŋ āϚ⧌āϧ⧁āϰ⧀ āϤāĻžāρāϰ “The Autobiography of an Unkown Indian” āĻŦāχāϤ⧇ āĻŦāϞ⧇āϛ⧇āύ-
“āĻŽāĻžāύ⧁āώ āϝ⧇āĻŽāύ āĻ­āĻ—āĻŦāĻžāύāϕ⧇ āĻĒā§‚āĻœā§‹ āĻ•āϰ⧇, āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀āϰāĻž āϤ⧇āĻŽāύāĻŋ āĻ•āϰ⧇ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰāϕ⧇ āĻĒā§‚āĻœā§‹ āĻ•āϰ⧇āĨ¤ ”

* āϜāĻ¨ā§āĻŽāσ 1564 āϏāĻžāϞ⧇āϰ 23 āĻļ⧇ āĻāĻĒā§āϰāĻŋāϞ Stratford of Avon āĻļāĻšāϰ⧇āĨ¤

* āĻĒāĻŋāϤāĻž āϜāύ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ āĻ›āĻŋāϞ⧇āύ Stratford of Avon āĻļāĻšāϰ⧇āϰ āĻĒ⧌āϰāϏāĻ­āĻžāϰ āĻŽā§‡ā§Ÿāϰ āĻāĻŦāĻ‚ āĻŽāĻž āĻ›āĻŋāϞ⧇āύ āĻŽā§‡āϰ⧀ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ āĨ¤

* āωāχāϞāĻŋ⧟āĻžāĻŽ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ āĻ›āĻŋāϞ⧇āύ āϤāĻŋāύ āĻŦā§‹āύ āϚāĻžāϰ āĻ­āĻžā§Ÿā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āϤ⧃āĻ¤ā§€ā§Ÿ āĻ­āĻžā§Ÿā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āĻœā§āϝ⧋āĻˇā§āĻ ā§āϝāĨ¤

* 1582 āϏāĻžāϞ⧇ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ āĻ…ā§āϝāĻžāύ āĻšā§āϝāĻžāĻĨāĻžāĻ“ā§Ÿā§‡āϕ⧇ āĻŦāĻŋāĻŦāĻžāĻš āĻ•āϰ⧇āύāĨ¤ āĻŦāϧ⧂ āĻ›āĻŋāϞ⧇āύ āĻ…āĻžāϟ āĻŦāĻ›āϰ⧇āϰ āĻŦ⧜āĨ¤

* āϤāĻžāρāϰ āĻĒā§āϰāĻĨāĻŽāĻž āĻ•āĻ¨ā§āϝāĻž āϏ⧁āϏāĻžāύāĻž, āϛ⧇āϞ⧇āĻĻā§āĻŦ⧟ āĻšāϞ⧇āύ (Hamlet and Zudith)

* āϟāĻŽāĻžāϏ āϞ⧁āϏāĻŋ āύāĻžāĻŽā§‡ āĻāĻ•āϜāύ āĻ­ā§‚-āĻ¸ā§āĻŦāĻžāĻŽā§€ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰāϕ⧇ āϏāĻ°ā§āĻŦāĻ¸ā§āĻŦāĻžāĻ¨ā§āϤ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤

* āϞāĻ¨ā§āĻĄāύ⧇āϰ āĻĒā§āϞ⧇ āĻšāĻžāωāĻœā§‡āϰ āĻ…āĻ­āĻŋāύ⧇āϤāĻžāϰāĻž “āϞāĻ°ā§āĻĄ āĻšā§‡āĻŽā§āĻŦāĻžāϰāϞ⧇āύ⧇āϰ āĻĻāĻ˛â€ āĻ…āĻ­āĻŋāĻšāĻŋāϤ āĻ›āĻŋāϞāĨ¤

* āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ⧇āϰ āĻ–ā§āϝāĻžāϤāĻŋ āĻ›āĻŋāϞ ‘play-pather’ āĻšāĻŋāϏ⧇āĻŦ⧇āĨ¤

* āĻĻā§€āĻ°ā§āϘ 25 āĻŦāĻ›āϰ āϧāϰ⧇ āϤāĻŋāύāĻŋ āϰāĻ™ā§āĻ—āĻžāĻ˛ā§Ÿā§‡ āĻ›āĻŋāϞ⧇āύāĨ¤

* Mostly known as plays
* His play consists of 5 acts.
* He is not famous for Bourgeois drama.

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āύāĻžāϟāĻ•āσ ā§Šā§Ž āϟāĻŋ
āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨāσ ⧍ āϟāĻŋ
āϏāύ⧇āϟāσ ā§§ā§Ģā§Ē āϟāĻŋ

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★ Tragedy:
â€ĸ Macbeth (āϚāϰāĻŋāĻ¤ā§āϰāσ āĻŽā§āϝāĻžāĻ•āĻŦ⧇āĻĨ, āϞ⧇āĻĄāĻŋ āĻŽā§āϝāĻžāĻ•āĻŦ⧇āĻĨ- āϚāϤ⧁āĻ°ā§āĻĨ āĻĄāĻžāχāύ⧀)
– Coward die many times before their daeth.

â€ĸ Othello(āϚāϰāĻŋāĻ¤ā§āϰāσ Othello, Desdemona- Othello’s wife, Iago- Villain, Cassio, Emilia)
â€ĸ Hamlet (āϚāϰāĻŋāĻ¤ā§āϰāσ Hamlet, Claudius, Gertrude, Ophelia, Laertes)— The Murder of Gonzago āύāĻžāϟāĻ• āϰāϚāύāĻž āĻ•āϰ⧇āύ āĻšā§āϝāĻžāĻŽāϞ⧇āϟ āĻŦāĻžāĻŦāĻžāϰ āĻšāĻ¤ā§āϝāĻžāϰ āĻĒā§āϰāϤāĻŋāĻļā§‹āϧ āĻ¨ā§‡ā§ŸāĻžāϰ āϜāĻ¨ā§āϝāĨ¤
– To be or not to be that is the question.
– There is a divinity that shapes our ends.

â€ĸ Antony and Cleopatra (āϚāϰāĻŋāĻ¤ā§āϰāσ Antony, Cleopatra)
â€ĸ Romeo and Juliet (āϚāϰāĻŋāĻ¤ā§āϰāσ Romeo, āϜ⧁āϞāĻŋā§Ÿā§‡āϟ, āĻŽāĻ¨ā§āĻŸā§‡āϗ⧁ āĻ“ āϞ⧇āĻĄāĻŋ āĻŽāĻ¨ā§āĻŸā§‡āϗ⧁, āĻ•ā§āϝāĻžāϟāĻŋāωāϞ⧇āϟ āĻ“ āϞ⧇āĻĄāĻŋ āĻ•ā§āϝāĻžāϟāĻŋāωāϞ⧇āϟ)

â€ĸ Julius Caesar (āϚāϰāĻŋāĻ¤ā§āϰāσ āϜ⧁āϞāĻŋ⧟āĻžāϏ, āϏ⧀āϜāĻžāϰ, āĻ•ā§āϝāĻžāϏāĻŋ⧟āĻžāϏ)
– Julius Caesar was the ruler of Rome about 2000 years ago.

++++Memory Clue : ( MOHAn R J)

Comedy:
â€ĸ The Merchant of Venice
– Tragi-comedy.
– Shylock (āϚāϰāĻŋāĻ¤ā§āϰ): He was a jews.

â€ĸ Much Ado About Nothing,
â€ĸ A Midsummer Night’s Dream,
â€ĸ All’s Well That Ends Well, (TC)
â€ĸ Measure for Measure, (TC)
â€ĸ The Tempest (TC)
– Swan song.
– āĻā§œā§‡āϰ āĻŽāĻ§ā§āϝ āĻĻāĻŋā§Ÿā§‡ āĻ…āĻžāϰāĻŽā§āĻ­ āĻšā§ŸāĨ¤
– (āϚāϰāĻŋāĻ¤ā§āϰāσ Calliban, Ferdinand, Alanso, Miranda)

â€ĸ The Comedy of Errors,
â€ĸ As You Like It

Memory Clue: MAM Midsummer A Measpi āϕ⧇T C āĻĻāĻŋā§Ÿā§‡ āĻŦāϞāϞ, As You Like It.

āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āϰāϚāύāĻž:

Henry VI- Part-I, Henry VI- Part-II, Henry VI-Part-III, King John, Richard-II & III.

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â€ĸ “To be or not to be, that is the question ”
(Hamlet)
â€ĸ “Brevity is the soul of wit” (Hamlet)

â€ĸ ”There are more things in haven and earth
Horation, Than are dreamt of in our philosophy” (Hamlet)

â€ĸ “Cowards die many times before their deaths” (Julius Caesar)

â€ĸ ”All the world’s stage and all the men and women merely players ” (As you like it )

â€ĸ Sweet are uses of adversity (As you like it )

â€ĸ Fair is foul , and Foul is fair . (Mathbeth )

â€ĸ All the perfumes of Arabia will not sweeten this little hand (Mathbeth )

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Ben Jhonson:
– O Rare Ben Johnson ( āϏāĻžāĻŽāĻžāϧāĻŋāϤ⧇ āϞ⧇āĻ–āĻž)
– Wrote ( Drama)- Volpone, The silent women ( Epicone), The Alchemist.

â€ĸ Thomas Kyd
-The Spanish Tragedy ( The First Tragedic Drama)
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Christopher Marlowe

Christopher Marlowe (1564 – 93) āĻšāĻšā§āϛ⧇āύ āĻļ⧇āĻ•ā§āϏāĻĒāĻŋ⧟āĻžāϰ⧇āϰ āϏāĻŽāϏāĻžāĻŽā§ŸāĻŋāĻ• āĻāĻ•āϜāύ āύāĻžāĻŸā§āϝāĻ•āĻžāϰāĨ¤ āĻ•ā§āϰāĻŋāĻ¸ā§āĻŸā§‹āĻĢāĻžāϰ āĻŽāĻžāϰāϞ⧋ āĻŦ⧟āϏ⧇ āĻļ⧇āĻ•ā§āϏāĻĒāĻŋ⧟āĻžāϰ⧇āϰ āĻšā§‡ā§Ÿā§‡ āĻŽāĻžāĻ¤ā§āϰ ⧍ āĻŽāĻžāϏ⧇āϰ āĻŦ⧜āĨ¤ āĻĻ⧁āϜāύ⧇āϰ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻ›āĻŦāĻŋ āϗ⧁āϞ⧋ āĻĻ⧇āĻ–āϞ⧇ āĻŽāύ⧇ āĻšāĻŦ⧇ āĻĻ⧁āϜāύ āĻāĻ•āχ āĻŦā§āϝāĻžāĻ•ā§āϤāĻŋāĨ¤ āĻ•āĻžāϰāĻŖ āϤāĻžāρāĻĻ⧇āϰ āĻšā§‡āĻšāĻžāϰāĻž āĻĒā§āϰāĻžā§Ÿ āϏ⧇āχāĻŽ, āϏāĻšā§‹āĻĻāϰ āĻ­āĻžāĻ‡ā§Ÿā§‡āϰ āĻŽāϤāĨ¤

āφāϰ⧋ āĻĒ⧜⧁āύ:  āĻŦā§āϰāĻŋāϟāĻŋāĻļ āĻāĻŦāĻ‚ āφāĻŽā§‡āϰāĻŋāĻ•āĻžāύ āχāĻ‚āϰ⧇āϜāĻŋ āĻ—ā§āϰāĻžāĻŽāĻžāϰ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϗ⧁āϰāĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ•āϞ āĻĒāĻžāĻ°ā§āĻĨāĻ•ā§āϝ |What Are The Differences Between American And British English
āĻļ⧇āĻ•ā§āϏāĻĒāĻŋ⧟āĻžāϰ⧇āϰ āĻŽāϤāχ āĻ•ā§āϰāĻŋāĻ¸ā§āĻŸā§‹āĻĢāĻžāϰ āĻŽāĻžāϰāϞ⧋āĻ“ āϤāĻžāρāϰ āύāĻžāϟāϕ⧇āϰ āϜāĻ¨ā§āϝāχ āĻŦāĻŋāĻ–ā§āϝāĻžāϤāĨ¤ āĻŽāĻžāϰāϞ⧋āϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻ•āĻžāϜ āϗ⧁āϞ⧋ āĻšāĻšā§āϛ⧇āσ
â€ĸTamburlaine
â€ĸThe Jew of Malta
â€ĸDoctor Faustus
â€ĸEdward II
â€ĸThe Massacre at Paris.
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** āĻļ⧇āĻ•ā§āϏāĻĒāĻŋ⧟āĻžāϰ⧇āϰ āĻšāĻŋāĻ¸ā§āĻŸā§āϰāĻŋ āύāĻžāϟāĻ• āϗ⧁āϞ⧋ āϏāĻŦāχ āϰāĻžāϜāĻžāĻĻ⧇āϰ āύāĻžāĻŽā§‡āĨ¤ āϤāĻžāχ Edward II āύāĻžāĻŽ āĻļ⧁āύ⧇ āĻ…āύ⧇āϕ⧇āχ āĻāϟāĻžāϕ⧇ āĻļ⧇āĻ•ā§āϏāĻĒāĻŋ⧟āĻžāϰ⧇āϰ āύāĻžāϟāĻ• āĻŽāύ⧇ āĻ•āϰ⧇ āϭ⧁āϞ āĻ•āϰ⧇āĨ¤
*** Doctor Faustus āύāĻžāϟāϕ⧇āϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻĻ⧁āϟāĻŋ āϚāϰāĻŋāĻ¤ā§āϰ āĻšāĻšā§āϛ⧇ Dr. Faustus āφāϰ Mephistopheles ( āĻŽā§‡āĻĢāĻŋāĻ¸ā§āĻŸā§‹āĻĢāĻŋāϞāĻŋāϏ).
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āφāĻŽāĻžāϰ āύāĻŋāĻœā§‡āϰ āĻāĻ•āϜāύ āĻŽā§‡āĻĢāĻŋāĻ¸ā§āĻŸā§‹āĻĢāĻŋāϞāĻŋāϏ āĻĨāĻžāĻ•āϞ⧇ āφāĻŽāĻŋ āĻĒā§āϰāϤāĻŋ āĻŦāĻŋāϏāĻŋāĻāϏ⧇ āϜāĻžāĻ¤ā§€ā§Ÿ āĻŽā§‡āϧāĻžā§Ÿ ā§§āĻŽ āĻ¸ā§āĻĨāĻžāύ āĻ…āϧāĻŋāĻ•āĻžāϰ āĻ•āϰāϤāĻžāĻŽāĨ¤ āϤāĻžāχ āφāĻŽāĻŋ āĻŽāύ⧇ āĻ•āϰāĻŋ āĻŦāĻŋāϏāĻŋāĻāϏ āĻ•ā§āϝāĻžāĻĄāĻžāϰāϰāĻž āĻŽā§‡āĻĢāĻŋāĻ¸ā§āĻŸā§‹āĻĢāĻŋāϞāĻŋāϏ⧇āϰ āĻšā§‡ā§Ÿā§‡āĻ“ āĻŦāĻŋāĻļāĻžāϞ āĻ•ā§āώāĻŽāϤāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ⧀āĨ¤āĨ¤āĨ¤āĨ¤

*****University Wits āĻāϰ āύāĻžāĻŸā§āϝāĻ•āĻžāϰāĻĻ⧇āϰ āύāĻžāĻŽ āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āĻŸā§‡āĻ•āύāĻŋāĻ•āσ ā§§ā§Ģā§­ā§Ŧ āϏāĻžāϞ⧇ āĻ…āĻ°ā§āĻĨāĻžā§Ž āĻˇā§‹ā§œāĻļ āĻļāϤāϕ⧇āϰ āĻļ⧇āώ⧇ Christopher Marlowe āĻāϰ āĻšāĻžāϤ āϧāϰ⧇ āĻāĻ•āϟāĻŋ āĻĻāϞ⧇āϰ āωāĻĻā§āĻ­āĻŦ āĻšā§Ÿā§‡āĻ›āĻŋāϞ āϝāĻžāϰāĻž āύāĻžāϟāĻ• āϞāĻŋāĻ–āϤ āĻ…āĻžāĻŦāĻžāϰ āϏ⧇āχ āύāĻžāϟāĻ• āϞāĻ¨ā§āĻĄāύ⧇āϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻŽāĻžā§āĻšā§‡ āϤāĻžāϰāĻž āύāĻŋāĻœā§‡āϰāĻžāχ āĻĒāĻžāϰāĻĢāĻ°ā§āĻŽ āĻ•āϰāϤ⧇āύ āĻāĻĻ⧇āϰāϕ⧇āχ University Wits āĻŦāϞāĻž āĻšāϤāĨ¤

University Wits āĻ—āĻŖ āĻšāϞ⧇āύ:-

ā§§. Christopher Marlowe
⧍. Robert Greene
ā§Š.Thomas kyd
ā§Ē. John Lyly
ā§Ģ. George Peele
ā§Ŧ. Thomas Nashe

āχāĻ‚āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϰ āύāĻžāĻŸā§āϝāĻŽāĻžā§āĻšā§‡ āĻ•ā§āϰāĻŋāĻ¸ā§āĻŸā§‹āĻĢāĻžāϰ āĻŽāĻžāϰāϞ⧋āχ āϛ⧋āϟ āϛ⧋āϟ āĻ—ā§āϰ⧀āύ āĻ•āĻŋāĻĄ āϞāĻŋāϞāĻŋ āĻĒāĻŋāϞāĻŋāϰ āϏāĻžāĻĨ⧇ āύāĻžāĻšā§‡!!!

āĻāĻŦāĻžāϰ āĻŽāĻŋāϞāĻŋā§Ÿā§‡ āύāĻŋāύ:-
ā§§.āĻŽāĻžāϰāϞ⧋āχ= Christopher Marlowe
⧍. āĻ—ā§āϰ⧀āύ= Greene=Robert Greene

ā§Š.āĻ•āĻŋāĻĄ= Kyd=Thomas Kyd

ā§Ē. āϞāĻŋāϞāĻŋ= Lyly=John Lyly

ā§Ģ. āĻĒāĻŋāϞāĻŋ= Peele=George Peele

ā§Ŧ.āύāĻžāĻšā§‡= Nashe=Thomas Nashe)

â€ĸ The Jacobean Period (1603-1625)
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-John Donne
-The Greatest love poet/poet of love
-Love is not so pure, and abstract, as they use to say.
-Go and Catch the Falling Star.

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John Webster
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-The Duchess of Malfi.( Tragedy Drama)
-The White Devil (Tragedy Drama)
-Cyril Tourneur
-The Revengers Tragedy
-The Atheist’s
-King James
-The translation of Bible into English.

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The Commonwealth Period (1645-1660)
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★ The Caroline Age ( 1625-1649)
(Robert Herrick, John Milton, John Ford, Henry Vaughn)

â€ĸ Robert Herrick
– Poem – To Daffodils
– Short lived human live ( the poet weeps over the poem)

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John Milton
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– Epic Poem
– He became blind in 1652.
– Poem- Paradise lost, Paradise Regain, Lycidas, Areopagitica.
– To justify the of God to man.

Quote: Better to reign in hell, than serve in heaven- J.Milton

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â€ĸ Henry Vaughn
( Wrote- The Retreat)

★ Neo-Classical period (1660-1798)
– (Restoration Age – 1660-1700)
– (Augustan Literature- 1700-1750)
– (Age of Sensibility- 1750-1798)
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★ The Restoration Period (1660-1785)
– Age of dryden āĻŦāϞāĻž āĻšā§Ÿ āĨ¤
– āϕ⧇āω āϕ⧇āω Age of Milton āĻŦāϞ⧇āύāĨ¤
– Historical Events:
* England āĻ āĻļāĻŋāĻ˛ā§āĻĒāĻžā§Ÿāύ āĻļ⧁āϰ⧁āĨ¤
* āĻŽāϤ āĻĒā§āϰāĻ•āĻžāĻļ⧇āϰ āĻ¸ā§āĻŦāĻžāϧ⧀āύāϤāĻž āĻ“ āĻ›āĻžāĻĒāĻžāĻ–āĻžāύāĻž āωāĻ¨ā§āĻŽā§āĻ•ā§āϤāĻ•āϰāĻŖāĨ¤
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John Dryden:
â€ĸThe representative poet of 17th century.
â€ĸ Father of Modern English Criticism.
â€ĸ āĻ•āĻžāĻŦā§āϝāσ
– Absalom and Achitophel, 1681 āĻāϰ āϜāĻ¨ā§āϝ āϤāĻŋāύāĻŋ āĻ…āĻŽāϰ āĻšā§Ÿā§‡ āĻ…āĻžāϛ⧇āύāĨ¤
â€ĸ āĻĒā§āϰāĻŦāĻ¨ā§āϧāσ
An Essay on dramatic poesy.
â€ĸ āύāĻžāϟāĻ•āσ
– All for love.
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William Congreve
– āĻ•āĻŽā§‡āĻĄāĻŋ āϞ⧇āĻ–āĻ•
– āϤāĻŋāύāĻŋ āĻœā§‹āύāĻžāĻĨāĻžāύ āϏ⧁āχāĻĢāϟ āĻ“ āĻĒā§‹āĻĒ⧇āϰ āĻŦāĻ¨ā§āϧ⧁ āĻ›āĻŋāϞ⧇āύ
– āϤāĻŋāύāĻŋ āĻŦāĻŋāĻŦāĻžāĻš āĻ•āϰ⧇āύ āύāĻžāχāĨ¤
āĻ•āĻŽā§‡āĻĄāĻŋāσ BWDL
– The Old Bachelor
– The way of the world
– The Double Dealer
– Love for love.
āĻŸā§āϰāĻžāĻœā§‡āĻĄāĻŋāσ The morning bride.

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John Bunyon
â€ĸ āϧāĻ°ā§āĻŽāĻŽāϤ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻžāϰ āĻŦāĻ›āϰ āĻœā§‡āϞ āϖ⧇āĻŸā§‡āϛ⧇āύāĨ¤
â€ĸ āĻŽā§āĻ•ā§āϤāĻŋāϰ āĻĒāϰ āĻāĻ•āϟāĻŋ āϚāĻžāĻ°ā§āĻœā§‡ āϤāĻŋāύāĻŋ āĻĒāĻžāĻĻā§āϰ⧀ āĻ›āĻŋāϞ⧇āύāĨ¤
â€ĸāϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻ•āĻ°ā§āĻŽāσ
– The pilgrim Process.
– The holy war.
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The Augustan Period (1701-1745)
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â€ĸ āĻ āϝ⧁āĻ—āϟāĻžāϕ⧇ age of pope āĻŦāϞāĻž āĻšā§ŸāĨ¤ āĻ•āĻžāϰāĻŖ āĻ…āĻžāϞ⧇āĻ•āϜāĻžāĻ¨ā§āĻĄāĻžāϰ āĻĒā§‹āĻĒ āĻ āϝ⧁āĻ—āϟāĻžāϰ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋāĻ¤ā§āĻŦ āĻ•āϰ⧇āύ
â€ĸ āĻĒā§āϰāĻĨāĻŽ āχāĻ‚āϰ⧇āϜāĻŋ Daily ” The Daily Courant” āĻĒā§āϰāĻŦāĻžāĻļāĻŋāϤ āĻšā§Ÿ 1701 āϏāĻžāϞ⧇āĨ¤

:Alexandar Pope:Daniel Defoe:āĻœā§‹āύāĻžāĻĨāĻžāύ āϏ⧁āχāĻĢāϟāσ Henry Fielding:(āĻ…āĻžāϜ HD āĻ—āĻžāύ āĻļ⧁āύāĻŦ)
Alexandar Pope:
*āϤāϰ⧁āĻŖ āĻŦ⧟āϏ⧇ āĻĒā§‹āĻĒ āĻ•āĻ āĻŋāύ āĻŦā§āϝāĻžāϧāĻŋāϤ⧇ āĻ…āĻžāĻ•ā§āϰāĻžāĻ¨ā§āϤ āĻœā§Ÿā§‡āĻ›āĻŋāϞ⧇āύāĨ¤ āĻĢāϞ⧇ āϤāĻžāρāϰ āĻļāϰ⧀āϰ āĻāϕ⧇āĻŦāĻžāϰ⧇ āϭ⧇āĻ™ā§āϗ⧇ āĻĒā§œā§‡āĻ›āĻŋāϞāĨ¤ āĻ•ā§āϞāĻžāĻ¨ā§āϤāĻŋāĻšā§€āύ āĻ…āύāĻ°ā§āĻ—āϞ āϰāϚāύāĻž āĻ•āϰāĻž āĻŦāĻŋāĻ§ā§āĻŦāĻ¸ā§āϤ, āĻ…āĻĒāĻŽāĻžāύāĻŋāϤ, āϞāĻžāĻžā§āĻ›āĻŋāϤ, āϏāĻŽāĻžāϜāĻšā§āϝ⧁āϤ āĻĒā§‹āĻĒ⧇āϰ āĻ…āĻ¨ā§āϤāϰ⧇ āϜāĻŽā§‡āĻ›āĻŋāϞ āϏāĻŽāĻžāĻœā§‡āϰ āĻĒā§āϰāϤāĻŋ āϘ⧃āĻŖāĻž āĻāĻŦāĻ‚ āĻ āϘ⧃āĻŖāĻžāχ āϤāĻžāρāϰ āĻ•āĻžāĻŦā§āϝ⧇āϰ āϜāĻ—āϤ⧇ āĻĒā§āϰāĻ­āĻžāĻŦ āĻĢ⧇āϞ⧇āĻ›āĻŋāϞāĨ¤

* Famous for mock-heroic poet in English literature.

āĻ•āĻŦāĻŋāϤāĻžāσ
– The rape of the lock (āĻŦ⧇āϞāĻŋāĻ¨ā§āĻĻāĻžāϰ āϰ⧂āĻĒ⧇āϰ āĻ›āϟāĻžā§Ÿ āϏ⧂āĻ°ā§āϝ⧇āϰ āĻ…āĻžāϞ⧋ āĻŽā§āϞāĻžāĻŖ āĻšā§Ÿā§‡ āϝāĻžā§ŸāĨ¤ āϝ⧁āĻŦāϕ⧇āϰāĻž āϤāĻžāρāϰ āϚāĻžāϰāĻĒāĻžāĻļ⧇ āĻ­ā§€ā§œ āĻ•āϰ⧇ āĻāĻ•āϟ⧁ āĻ­āĻžāϞāĻŦāĻžāϏāĻžāϰ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžā§ŸāĨ¤ āϤāĻŦ⧇ āϏ⧇ āĻĒāĻžāĻ¤ā§āϤāĻž āĻĻā§‡ā§Ÿ āύāĻžāĨ¤ āĻŦāĻžā§ŸāĻŦā§€ā§Ÿ āĻĒā§āϰ⧇āϤāĻžāĻ¤ā§āĻŽāĻžāĻĻ⧇āϰ āϏāĻ°ā§āĻĻāĻžāϰ āĻāϰāĻŋā§Ÿā§‡āϞ⧇āϰ āύ⧇āϤ⧃āĻ¤ā§āĻŦ⧇ āĻŦ⧇āϞāĻŋāĻ¨ā§āĻĻāĻžāϰ āϰ⧂āĻĒ-āϝ⧌āĻŦāύ āϰāĻ•ā§āώāĻžāϰ āĻĻāĻžā§ŸāĻŋāĻ¤ā§āĻŦ āĻ¨ā§‡ā§ŸāĨ¤
– āĻŦ⧇āϰāύ āύāĻžāĻŽāĻ• āĻāĻ• āϝ⧁āĻŦāĻ• āĻŦ⧇āϞāĻŋāĻ¨ā§āĻĻāĻžāϰ āϰ⧂āĻĒ⧇ āĻŽā§‹āĻšāĻŋāϤāĨ¤ āϏ⧇ āĻŦ⧇āϞāĻŋāĻ¨ā§āĻĻāĻžāϰ āϚ⧁āϞ⧇āϰ āĻāĻ•āϟāĻŋ āĻŦ⧇āĻŖā§€ āϕ⧇āĻŸā§‡ āĻ¨ā§‡ā§ŸāĨ¤
– āĻŦ⧇āϞāĻŋāĻ¨ā§āĻĻāĻž āĻšāĻž-āĻšā§āϤāĻžāĻļ āĻ•āϰāϞ⧇ āĻāϰāĻŋā§Ÿā§‡āϞ āϤāĻžāϕ⧇ āϜāĻžāύāĻžā§Ÿ āϤāĻžāρāϰ āĻŦ⧇āĻŖā§€ āĻ¸ā§āĻĨāĻžāύ āĻĒā§‡ā§Ÿā§‡āϛ⧇ āύāĻ•ā§āώāĻ¤ā§āϰāϞ⧋āϕ⧇āĨ¤

– The Dunciad.

āĻĒā§āϰāĻŦāĻ¨ā§āϧāσ
– Essay on criticism.
– Moral Essays.
– Essay on Man.

āĻ…āύ⧁āĻŦāĻžāĻĻāσ
– Iliad
– Oddtssey.

Quote:
â€ĸ “To err is human; to forgive is devine”
â€ĸ “Fools rush in where angels fear to tread”
â€ĸ “A little learning is a dangerous thing”

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Daniel Defoe:
– Robinson Crusoe (1719) āωāĻĒāĻ¨ā§āϝāĻžāϏ⧇āϰ āύāĻžā§ŸāĻ• āϰāĻŦāĻŋāύāϏāύ āĻ•ā§āϰ⧁āĻļā§‹, āϝ⧇ āĻĒāϰāĻŋāĻ¤ā§āϝāĻ•ā§āϤ āύāĻŋāĻ°ā§āϜāύ āĻĻā§āĻŦā§€āĻĒ⧇ 26 āĻŦāĻ›āϰ⧇āϰ āϜāĻ¨ā§āϝ āĻĻ⧁āσāϏāĻš āĻœā§€āĻŦāύ-āϝāĻžāĻĒāύ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻĒāϰāĻŦāĻ°ā§āϤ⧀āϤ⧇ āϤāĻŋāύāĻŋ āϏ⧇ āĻĻā§āĻŦā§€āĻĒ⧇āϰ āĻāĻ•āĻšā§āĻ›āĻ¤ā§āϰ āĻ…āϧāĻŋāĻĒāϤāĻŋ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧇āύāĨ¤ āϏ⧇ āĻĻā§āĻŦā§€āĻĒ⧇āϰ āϭ⧃āĻ¤ā§āϝ Friday āĻāĻŦāĻ‚ Xury āϕ⧇ āϤāĻŋāύāĻŋ āϤāĻžāρāϰ āϭ⧃āĻ¤ā§āϝ⧇ āĻĒāϰāĻŋāĻŖāϤ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āϤāĻŋāύāĻŋ āĻĻāĻžāϏ āĻŦā§āϝāĻŦāϏāĻžā§Ÿ āϞāĻžāĻ­āĻŦāĻžāύ āĻšāύāĨ¤

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āĻœā§‹āύāĻžāĻĨāĻžāύ āϏ⧁āχāĻĢāϟāσ
â€ĸ āĻ…ā§ŸāĻžāϰāĻ˛ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϰ āĻĄāĻžāĻŦāϞāĻŋāύ āĻļāĻšāϰ⧇ āϜāĻ¨ā§āĻŽāĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āύāĨ¤
â€ĸ āĻŦā§āϝāĻ™ā§āĻ—āĻžāĻ¤ā§āĻŽāĻ• āϰāϚāύāĻžāϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻ–ā§āϝāĻžāϤāĨ¤
â€ĸ āĻŦā§‹āĻŦāĻž āĻ“ āĻŦāϧāĻŋāϰ āĻšā§Ÿā§‡ āĻŽāĻžāϰāĻž āϝāĻžāύāĨ¤

āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāĻ¤ā§āĻŽāĻ• āωāĻĒāĻ¨ā§āϝāĻžāϏāσ
– Gulliver’s Travel (āĻŽā§‚āϞ āϚāϰāĻŋāĻ¤ā§āϰāσ Martin Scribblers, āύāĻžāĻŽ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻ•āϰ⧇ āĻšā§Ÿ Lamuel Guliver)āĨ¤ āĻ—āĻžāϞāĻŋāĻ­āĻžāϰ āϚāĻžāϰāϟāĻŋ āĻĻ⧇āĻļ āĻ­ā§āϰāĻŽāĻŖ āĻ•āϰ⧇āϛ⧇āύāĨ¤ āĻĻ⧇āĻļāϗ⧁āϞ⧋ āĻšāϞ – A voyage of Lulliput(āĻŦāĻžāĻŽā§āύ⧇āϰ āĻĻ⧇āĻļ) A voyage of Brobdingnag(āĻĻāĻžāύāĻŦ⧇āϰ āĻĻ⧇āĻļ), A voyage of Lapunta (āϞāĻžāĻĒ⧁āϟāĻžāύāĻĻ⧇āϰ āĻĻ⧇āĻļ), A voyage of Houyhnhns. (āĻšā§āχāύāĻšā§āĻŽāϏ āύāĻžāĻŽāĻ• āĻ˜ā§‹ā§œāĻžāϰ āĻĻ⧇āĻļ)
– A Tale of Tub
– The Battle of Books.

āφāĻŽāĻžāĻĻ⧇āϰ āĻĢ⧇āϏāĻŦ⧁āĻ• āĻ—ā§āϰ⧁āĻĒ⧇ Join āĻ•āϰ⧇āϛ⧇āύ āĻ•āĻŋ?
āĻŦāĻŋāϏāĻŋāĻāϏ āϏāĻš āϝ⧇āϕ⧋āύ āĻĒā§āϰāϤāĻŋāϝ⧋āĻ—āĻŋāϤāĻžāĻŽā§‚āϞāĻ• āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āϜāĻ¨ā§āϝ āϏāĻĢāϞ āĻŦā§āϝāĻžāĻ•ā§āϤāĻŋāĻĻ⧇āϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ, āϗ⧁āϰāĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āύ⧋āϟ āĻ“ āĻļāĻ°ā§āϟāĻ•āĻžāϟ āϟāĻŋāĻĒāϏ āĻĒ⧇āϤ⧇  āĻāĻ–āĻžāύ⧇ āĻ•ā§āϞāĻŋāĻ• āĻ•āϰ⧇ āĻœā§Ÿā§‡āύ āĻ•āϰ⧁āύ āφāĻŽāĻžāĻĻ⧇āϰ Official āĻĢ⧇āϏāĻŦ⧁āĻ• āĻ—ā§āϰ⧁āĻĒ⧇āĨ¤
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Henry Fielding:
– Father of English Novel
– āϤāĻŋāύāĻŋ āϰāĻŋāϚāĻžāĻ°ā§āĻĄāϏāύ⧇āϰ pamela āωāĻĒāĻ¨ā§āϝāĻžāϏ⧇āϰ āωāĻĒāĻšāĻžāϏ āĻ•āϰ⧇ 1742 āϏāĻžāϞ⧇ āϰāϚāύāĻž āĻ•āϰ⧇āύ “Joseph Andrews”
â€ĸ Novel
– Tom jones ( āϤāĻžāρāϰ āĻļā§āϰ⧇āĻˇā§āĻ  āωāĻĒāĻ¨ā§āϝāĻžāϏ) (āϚāϰāĻŋāĻ¤ā§āϰāσ Tom and Sofia); Published in 1st half of 18th century.
– Amelia.
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The age of sensibility (1745-1798)
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– The Age of Johnson āĻšāĻŋāϏ⧇āĻŦ⧇ āĻŦāĻŋāĻŦ⧇āϚāĻŋāϤ āĻšā§ŸāĨ¤

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Dr. Samuel johnson:

â€ĸ Dictionery of the English Language.
â€ĸ Wrote Essay- Preface to Shakespeare.

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Thomas Gray

â€ĸ Elegy written in the country churchyard.
â€ĸ āϕ⧇āĻŽā§āĻŦā§āϰāĻŋāϜ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāĻ˛ā§Ÿā§‡āϰ āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āĻļāĻŋāĻ•ā§āώāĻ• āύāĻŋāϝ⧁āĻ•ā§āϤ āĻšāύ āϤāĻŋāύāĻŋāĨ¤

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Edmund Burkey:
â€ĸ āϤāĻŋāύāĻŋ āĻ…āĻžāĻŽā§‡āϰāĻŋāĻ•āĻžāύ āĻ…āϧāĻŋāĻŦāĻžāϏ⧀āĻĻ⧇āϰ āωāĻĒāϰ āĻŸā§āϝāĻžāĻ•ā§āϏ āϚāĻžāĻĒāĻžāύ⧋ āϏāĻŽāĻ°ā§āĻĨāύ āĻ•āϰ⧇āύāύāĻŋāĨ¤
â€ĸ āϤāĻŋāύāĻŋ āĻĢāϰāĻžāϏ⧀ āĻŦāĻŋāĻĒā§āϞāĻŦāϕ⧇ āϏāĻŽāĻ°ā§āĻĨāύ āĻ•āϰ⧇āύāύāĻŋāĨ¤

āĻĒā§āϰāĻŦāĻ¨ā§āϧāσ
– Speech on American Taxation
– Speech on East India Bill

Quote:
â€ĸ Superstition is a religion of feeble minded person.
â€ĸ The greater the power, the more dangerous the abuse-
â€ĸ The people are the masters.
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Oliver Goldsmith:

Novel:
– The vicar of Wakefield.
– The Good Natured Man

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Wiliam blake:
– Visionary poet
– Poet of bible.
– The precursor of Romanticism.
– āĻœā§‡āĻŽāύ āĻŦ⧇āϏāĻžā§ŸāĻžāϰ āύāĻžāĻŽā§‡ āĻāĻ•āϜāύ āĻ–ā§‹āĻĻāĻžāχāĻ•āĻžāϰ⧀āϰ āĻ…āϧ⧀āύ⧇ āĻ•āĻžāϜ āĻ•āϰāϤ⧇āύāĨ¤
– āĻ•āĻŦāĻŋ āĻ“ āϚāĻŋāĻ¤ā§āϰāĻļāĻŋāĻ˛ā§āĻĒā§€ āĻ›āĻŋāϞ⧇āύāĨ¤
āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨāσ
â€ĸ Songs of innocense.
â€ĸ Songs of Experience.

Quote:
â€ĸ The road of excess leads to the palace of wisdom.

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The Romantic Period (1795-1832)
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āĻāϞāĻŋāϜāĻžāĻŦ⧇āĻĨāĻžāύ āĻĒāĻŋāϰāĻŋ⧟āĻĄā§‡āϰ āĻĒāϰ āχāĻ‚āϰ⧇āϜāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇āϰ āφāϰ⧇āĻ•āϟāĻŋ āφāĻĻāĻŋāĻĒāĻ¤ā§āϝ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰāĻ•āĻžāϰ⧀ āϝ⧁āĻ— āĻšāĻšā§āϛ⧇ āϰ⧋āĻŽā§āϝāĻžāĻ¨ā§āϟāĻŋāĻ• āĻĒāĻŋāϰāĻŋ⧟āĻĄāĨ¤
â€ĸ āĻ āϝ⧁āϗ⧇āϰ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰ ā§§ā§­ā§¯ā§Ž āĻĨ⧇āϕ⧇ ā§§ā§Žā§Šā§¨ āϏāĻžāϞ āĻĒāĻ°ā§āϝāĻ¨ā§āϤāĨ¤ â€ĸ ā§§ā§­ā§¯ā§Ž āϏāĻžāϞ⧇ William Wordsworth āĻāϰ Lyrical Ballads āĻĒā§āϰāĻ•āĻžāĻļ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡āχ āĻŽā§‚āϞāϤ āϰ⧋āĻŽā§āϝāĻžāĻ¨ā§āϟāĻŋāĻ• āϝ⧁āϗ⧇āϰ āĻļ⧁āϰ⧁ āĻšā§ŸāĨ¤
â€ĸ Most important features of a romantic poetry is – Subjectivity.

āφāϰ⧋ āĻĒ⧜⧁āύ:  ā§§ā§Ļ āϤāĻŽ āĻŦāĻŋāϏāĻŋāĻāϏ āĻĒā§āϰāĻŋāϞāĻŋāĻŽāĻŋāύāĻžāϰ⧀ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āĻĒā§āϰāĻļā§āύ āĻ“ āϏāĻŽāĻžāϧāĻžāύ | 10th BCS Priliminary Question Solution
āĻāϝ⧁āϗ⧇āϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻ•āĻŦāĻŋāĻ—āĻŖ āĻšāϞ⧇āύāσ
– William Wordsworth
– S T Coleridge
– Lord Byron
– P B Shelley
– John Keats
– Walter Scott
– Jane Austene

āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ Wordsworth BCS āĻĻāĻŋā§Ÿā§‡ KSA (āϏ⧌āĻĻāĻŋ āĻ…āĻžāϰāĻŦ) āϝāĻžāĻŦ⧇āĨ¤
Wordsworth, Byron, Coleridge, Shelley, Keats, Scott, Austene
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1.William Wordsworth (1770 – 1850)
â€ĸ He is considered as poet of nature.
â€ĸ 1839 āϏāĻžāϞ⧇ āĻ…āĻ•ā§āϏāĻĢā§‹āĻ°ā§āĻĄ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞ⧟ āĻ•āĻŦāĻŋāϕ⧇ āĻĄāĻŋāϏāĻŋāĻāϞ āωāĻĒāĻžāϧāĻŋ āĻĻā§‡ā§ŸāĨ¤
â€ĸ āϤāĻžāρāϰ āĻ…āϧāĻŋāĻ•āĻžāĻ‚āĻļ āϰāϚāύāĻž 1798 āĻĨ⧇āϕ⧇ 1808 āϏāĻžāϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇āĨ¤
â€ĸ 1798 āϏāĻžāϞ⧇ āĻ•āĻŦāĻŋ S T Coleridge āĻāϰ āϏāĻžāĻĨ⧇ Lyrical Ballads āϰāϚāύāĻž āĻ•āϰ⧇āύāĨ¤

āĻ—ā§āϰāĻ¨ā§āĻĨāσ
– Lyrical Ballads,
– The Prelude
– Thansgiving Ode
– Ecclesiastical Sketches
– The River Duddon

āĻ•āĻŦāĻŋāϤāĻžāσ
– Tintern Abbey,
– Ode: Immitations of Immortality,
– The Solitery Reaper,
– I Wandered Lonely as a Cloud,
– Michael,
– Lucy Poems.
– Dsffodils.
– The Excursion
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William Wordsworth (1770-1850)

Wrote Lyrical Ballads (1798) with S T Coleridge. S T Coleridge wrote 4 (Four) poems & Willam Wordsworth 19 (Nineteen) poems.

He is considered as Nature of Poet.

1839 āϏāĻžāϞ⧇ āĻ…āĻ•ā§āϏāĻĢā§‹āĻ°ā§āĻĄ āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞ⧟ āĻ•āĻŦāĻŋāϕ⧇ āĻĄāĻŋ āϏāĻŋ āĻāϞ āωāĻĒāĻžāϧāĻŋ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰ⧇ āĨ¤

Inspired by French Revolution.

āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ:

Lyrical Ballads, Thanksgiving Ode, The River Duddon, The Prelude (Auto Bio-bibliography), Ecclesiastical sketches

Poem:

Daffodils, The Solitary Reaper, To Milton, The Excursion, Michael

āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ A MID SME
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2. Samuel Taylor Coleridge (1772 – 1834)
â€ĸ The collaborator of wordsworth.
â€ĸ Poet of supernaturalism
â€ĸ āϤāĻŋāύāĻŋ āĻĢāϰāĻžāϏ⧀ āĻŦāĻŋāĻĒā§āϞāĻŦ⧇āϰ āϏāĻŽāĻ°ā§āĻĨāĻ• āĻ›āĻŋāϞ⧇āύāĨ¤
â€ĸ āĻ…āĻžāĻĢāĻŋāĻŽ āϏ⧇āĻŦāύ āĻ•āϰāϤ⧇āύāĨ¤
â€ĸ āĻ—āĻŋāϞāĻŽā§āϝāĻžāύ⧇āϰ āϚāĻŋāĻ•āĻŋā§ŽāϏāĻžā§Ÿ āĻ­āĻžāϞ āĻšāύāĨ¤
â€ĸ Watchman āύāĻžāĻŽā§‡ āĻāĻ•āϟāĻž āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž āϚāĻžāϞāĻžāϤ⧇āύāĨ¤
â€ĸ Lyricall Ballads āĻ āϚāĻžāϰāϟāĻŋ āĻ•āĻŦāĻŋāϤāĻž āĻ›āĻŋāϞāĨ¤

āĻ—ā§āϰāĻ¨ā§āĻĨāσ Biographia Literaria

āĻ•āĻŦāĻŋāϤāĻžāσ The Rime of the Ancient Mariner, Kubla Khan, Dejection:Ode, Christabel,Frost at Midnight.

“everywhere,
And all the boards did shrink;
Water, water everywhere,
Nor any drop to drink.” ___Quotations from The Rime of the Ancient Mariner.

{{{ Kubla Khan āĻšāĻšā§āϛ⧇ āĻāĻ•āϟāĻŋ āĻ…āĻ¸ā§āĻĒāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ•āĻŦāĻŋāϤāĻžāĨ¤ Coleridge āĻ›āĻŋāϞ āφāĻĢāĻŋāĻŽ AddictedāĨ¤ āϤ⧋ āĻāĻ•āĻĻāĻŋāύ āφāĻĢāĻŋāĻŽ āĻ–āĻžāĻ“ā§ŸāĻžāϰ āĻĒāϰ Kubla Khan āĻ•āĻŦāĻŋāϤāĻžāϟāĻŋ āϤāĻžāρāϰ āĻŽāĻžāĻĨāĻžā§Ÿ āφāϏ⧇ āĻāĻŦāĻ‚ āύ⧇āĻļāĻžāĻ—ā§āϰāĻ¸ā§āϤ āĻ…āĻŦāĻ¸ā§āĻĨāĻžā§Ÿ āϤāĻŋāύāĻŋ āϤāĻž āϞāĻŋāĻ–āϤ⧇ āĻŦāϏ⧇āύāĨ¤ āĻ•āĻŋāϛ⧁āĻ•ā§āώāĻŖ āĻĒāϰ⧇āχ āĻĄāĻžāĻ• āĻĒāĻŋ⧟āύ āφāϏ⧇ āĻĻāϰāϜāĻžā§Ÿ āĻ•ā§œāĻž āύāĻžā§œā§‡ āϤāĻžāρāϕ⧇ āϚāĻŋāĻ āĻŋ āĻĻāĻŋāϤ⧇āĨ¤ āϚāĻŋāĻ āĻŋ āφāύāϤ⧇ āφāύāϤ⧇ āϤāĻžāρāϰ āύ⧇āĻļāĻž āϕ⧇āĻŸā§‡ āϝāĻžā§ŸāĨ¤ āĻāϰāĻĒāϰ āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇āχ āφāĻŦāĻžāϰ āĻ•āĻŦāĻŋāϤāĻžāϰ āĻŦāĻžāĻ•āĻŋ āĻ…āĻ‚āĻļ āϞāĻŋāĻ–āϤ⧇ āĻŦāϏāϞ⧇āĻ“ āĻĻ⧁āĻ°ā§āĻ­āĻžāĻ—ā§āϝāĻŦāĻļāϤ āφāϰ āĻāĻ•āϟāĻŋ āϞāĻžāχāύāĻ“ āϤāĻŋāύāĻŋ āĻŽāύ⧇ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ āύāĻŋāĨ¤ āĻĒāϰ⧇ āϤāĻŋāύāĻŋ āĻŦāϞ⧇āύ āϝ⧇āϟ⧁āϕ⧁ āϞāĻŋāϖ⧇āϛ⧇ āϤāĻž āĻ›āĻŋāϞ ā§§ā§Ļ āĻ­āĻžāϗ⧇āϰ ā§§ āĻ­āĻžāĻ—āĨ¤ āφāϰ āĻāχ Kubla Khan āĻšāĻšā§āϛ⧇ Coleridge āĻāϰ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āĻ•āĻ āĻŋāύ āĻ•āĻŦāĻŋāϤāĻžāĨ¤

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3.John Keats (1795 –1821):
â€ĸ āĻŽāĻžāĻ¤ā§āϰ ⧍ā§Ŧ āĻŦāĻ›āϰ āĻŦ⧇āρāĻšā§‡ āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϰ āĻ­āĻŋāϤāϰ⧇āχ āϤāĻžāρāϰ āĻ•āĻŦāĻŋ āĻĒā§āϰāϤāĻŋāĻ­āĻžāϰ āĻāϞāĻ• āĻĻ⧇āĻ–āĻŋā§Ÿā§‡āϛ⧇āύāĨ¤
â€ĸ Keats āĻŽā§‚āϞāϤ āϤāĻžāρāϰ Ode āϗ⧁āϞ⧋āϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻ–ā§āϝāĻžāϤāĨ¤
â€ĸ Poet of Sensuousness
â€ĸ Poet of Beauty
â€ĸ Died from Tuberculosis

āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ : (HELP Isabella) Poems, Endymion, Lamia and other poems, Isabella.

â€ĸ A famous poet who is known as a man of medicine.

â€ĸ āϤāĻžāρāϰ Ode āϗ⧁āϞ⧋āϰ āĻŽāĻ§ā§āϝ⧇ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻšāĻšā§āϛ⧇āσ Ode to a Nightingale, Ode on a Grecian Urn , Ode to Psych, To Autumn, Ode on Melancholy, Ode on Indolence.

{ āĻļāĻŋāϰ⧋āύāĻžāĻŽāĻšā§€āύ āĻŦā§āϝāĻžāĻ¨ā§āĻĄā§‡āϰ “ āĻāĻ•āĻž āĻĒāĻžāĻ–āĻŋ” āĻ—āĻžāύāϟāĻž Keats āĻāϰ Ode to a Nightingale āĻāϰ āĻĨāĻŋāĻŽā§‡āϰ āωāĻĒāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻ•āϰ⧇ āϰāϚāύāĻž āĻ•āϰāĻžāĨ¤ āĻāχ āϤāĻĨā§āϝ āĻĒāϰ⧀āĻ•ā§āώāĻžā§Ÿ āφāϏāĻŦ⧇ āύāĻžāĨ¤ }
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4.Percy Bysshe Shelley (1792 – 1822)
â€ĸ āϤāĻžāρāϰ āĻ•āĻŦāĻŋāϤāĻž āϗ⧁āϞ⧋ āĻŦāĻŋāĻĻā§āϰ⧋āĻšā§€ āϧāĻžāρāĻšā§‡āϰāĨ¤
â€ĸ āĻ•āĻžāĻœā§€ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽā§‡āϰ āĻ•āĻŦāĻŋāϤāĻžā§Ÿ Shelley’āϰ āĻ…āύ⧇āĻ• āĻĒā§āϰāĻ­āĻžāĻŦ āφāϛ⧇āĨ¤
â€ĸ A revolutionary poet.
â€ĸ Died from boat sinking

Poem: Ozymandias, Ode to west wind, Ode to Liberty, Ode to Skylark.

Article: Necessity of Atheism, A Defense of Poetry.

āĻ•āĻžāĻŦā§āϝāύāĻžāĻŸā§āϝ : Prometheus Unbound.

āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ: The Revolt of Islam, The Spirit of Solitu

āĻ•āĻŦāĻŋāϤāĻžāσ, Adonais, To a skylark, Ode to the West Wind.

â€ĸ “The trumpet of a prophecy! O
Wind,
If Winter comes can Spring be far behind ? “___Quotation from West Wind
.
â€ĸ Our sweetest songs are those that tell of saddest thought.” _ Quot from To a Skylark

â€ĸ Poets are unacknowledged legislation of the world ”
â€ĸ Oh, lift me as wave , a leaf , a cloud , I fail upon the thorns of life ! I bleed
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5.Lord Byron (1788 – 1824):
â€ĸ George Gordon Lord Byron āϤāĻŋāύāĻŋ āχāĻ‚āϰ⧇āϜāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇āϰ āĻāĻ•āϜāύ āĻŦāĻŋāĻĻā§āϰ⧋āĻšā§€ āĻ•āĻŦāĻŋāĨ¤
â€ĸ āϤāĻžāρāϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻ—ā§āϰāĻ¨ā§āĻĨ āĻšāĻšā§āϛ⧇ Don Juan āφāϰ Vision of JudgementāĨ¤
â€ĸ English Bards and Scotch Reviewers.
â€ĸ Childe Harold’s Pilgrimage.

Lord Byron āĻāϰ āĻŽā§‡ā§Ÿā§‡ Ada Lovelace āĻšāĻšā§āϛ⧇āύ Computer āĻāϰ āχāϤāĻŋāĻšāĻžāϏ⧇ āĻĒā§āϰāĻĨāĻŽ computer programmer.
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6.Romantic Age āĻāϰ āφāϰ⧇āĻ•āϜāύ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āϞ⧇āĻ–āĻŋāĻ•āĻž āĻšāĻšā§āϛ⧇āύ Jane AustenāĨ¤āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻŋāύāĻŋ āĻšāĻšā§āϛ⧇āύ āϰ⧋āĻŽā§āϝāĻžāĻ¨ā§āϟāĻŋāĻ• āĻĒāĻŋāϰāĻŋ⧟āĻĄā§‡āϰ āĻāĻ•āϜāύ Anti-romantic Novelist. āϤāĻžāρāϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ ā§ĢāϟāĻŋ āωāĻĒāĻ¨ā§āϝāĻžāϏ āĻšāĻšā§āϛ⧇,
Pride & Prejudice,
Sense and Sensibility,
Mansfield Park, āĻāĻŦāĻ‚
Emma.
The Persuation
(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ SME P² )

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7. Sir Walter Scott
â€ĸ 1771 āϏāĻžāϞ⧇āϰ 15 āĻ…āĻžāĻ—āĻ¸ā§āϟ āĻ¸ā§āĻ•āϟāĻ˛ā§āϝāĻžāĻ¨ā§āĻĄā§‡ āϜāĻ¨ā§āĻŽāĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āύāĨ¤

āωāĻĒāĻ¨ā§āϝāĻžāϏāσ
â€ĸ Ivanhoe
â€ĸ The Abbot
â€ĸ The pirate
â€ĸ The Antiquary
â€ĸ Tale of my Landlord

āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ PIAAL (āĻĒāĻŋ⧟āĻžāϞ)

āĻ•āĻŦāĻŋāϤāĻžāσ
â€ĸ Patriotism.

____________________________________________
Victorian Age
_______________
â€ĸ āϕ⧁āχāύ āĻ­āĻŋāĻ•ā§āĻŸā§‹āϰāĻŋ⧟āĻžāϰ āύāĻžāĻŽāĻžāύ⧁āϏāĻžāϰ⧇ āĻ āϝ⧁āϗ⧇āϰ āύāĻžāĻŽāĻ•āϰāĻŖ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤
â€ĸ This period is regarded as the period of progress and prosperity.
â€ĸ Historical Events:
– In 1833, slaves were declared free.
– In 1833, the Fabian society was found.
– Agriculture society was collapsed as a reault of industrial revolution.

āĻ āϝ⧁āϗ⧇āϰ āĻ•āĻŦāĻŋ/āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ•āĻĻ⧇āϰ āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āĻ•ā§āϞ⧁āσ
(BD EARTH TB MN)

â€ĸ Robert Browning
â€ĸ Charles Dickens,
â€ĸ George Eliot
â€ĸ Mathew Arnold
â€ĸ Charles Robert Darwin
â€ĸ William Mack-pis Thackeray
â€ĸ Thomas Hardy
â€ĸ Alfred Tennyson
â€ĸ S Bronty
â€ĸ E Bronty.
â€ĸ Barret Browning
â€ĸ Karl Marx
â€ĸ Cardinal Newman

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â€ĸRobert Browning
* āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ:
– Pauline,
– Dramatic Lyrics,
– Dramatic Romances,
– Dramatic Idols
(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āϏ⧂āĻ¤ā§āϰāσ Idol LPR)

* Poem:
-The Patriot,
– The Last Duches,
– Andrea Del Sarto,
– Rabbi Ben Ezra
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â€ĸ Charles Dickens (1812-1870)
– Novel: GOAH āϰ DB Charles Dickens.

– Oliver Twist,
– David Copperfield,
– Bleak House,
– Hard Times,
– A Tale of Two Cities,
– Great Expectations
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â€ĸ George Eliot (1819-1880)
– Novel: MARch
– Adam bede,
– Romola,
– Middle march,
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â€ĸ Mathew Arnold

-The Scholar Gypsy,
– Poems
____________________________________________
Charles Robert Darwin
______________________
* Novel:
– The Origin of Species
– The Voyage of the Beagle
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â€ĸ William Mack-pis Thackeray
_____________________________
Novel:
– Vanity Fair
– The Virginians
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Thomas Hardy
– Under the Greenwood Tree
– The Return of the Native
– Tess of D’ Urbervilles
– The Mayor of Casterbridge.
____________________________________________
â€ĸ Alfred Tennyson
_________________
â€ĸ Poet laurate āĻ›āĻŋāϞ⧇āύāĨ¤
* āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ:
– Ink Arden
– Death to Oenone.
– Poems by two Brothers
– Timbuctoo
– Maud & Other Poems

(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ InDian TiMe)

* Poem:
– The Lotus Eater,
– Morte D Arthur,
– Ulysses
:
:
Sharley Bronte:
_______________
* Novel:
– The Professor
:

â€ĸ Amili Bronte
______________
* Novel:
– Wuthering Heights.
:
:
Elizabeth Barret Browning
__________________________
– Prometheus Bound
– Sonnets from the Portuguese
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āφāϰ⧋ āĻĒ⧜⧁āύ:  ⧧⧝⧝ā§Ģ āĻĨ⧇āϕ⧇ ⧍ā§Ļ⧧⧝ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦāĻŋāϏāĻŋāĻāϏ āĻ“ āϏāĻ•āϞ āϚāĻžāĻ•āϰāĻŋāϰ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āϗ⧁āϰāĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ Correct spelling āĻāĻ•āϏāĻžāĻĨ⧇ | English Spelling āϏāĻšāĻœā§‡ āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āĻ•ā§ŒāĻļāϞ!
 

(Samuel Becket, Joseph Conrad, D H Lawrence, T S Eliot, E M Forster, E M Forster, George Barnard Shaw, Huxley, Tem Huges, Ernst Hemingway, James Joyce, J M Synge, Rudyard Kipling, Somerset Maugham, George Orwell, H G Wells, W B Yeats)

â€ĸ Samuel Becket
– āĻĢāϰāĻžāϏ⧀ āύāĻžāĻŸā§āϝāĻ•āĻžāϰāĨ¤
– āĻĒ⧁āϰ⧋ āύāĻžāĻŽ Samuel Barclay Beckeet.
– He was awarded Nobel Prize in 1969 for his famous drama Waiting to Godot.

â€ĸ Drama
(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ āĻ…āĻžāϏāϛ⧇ āĻļ⧁āĻ­ āĻĻāĻŋāύ⧇ Endgame āϖ⧇āϞāĻŦ)

– Endgame
– Come & Go,
– Happy Days,
– Play
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â€ĸ Joseph Conrad
â€ĸ āϤāĻŋāύ 15 āĻŦāĻ›āϰ āϏāĻŽā§āĻĻā§āϰ āĻ­ā§āϰāĻŽāĻŖ āĻ•āϰ⧇ āĻĻ⧇āϖ⧇āϛ⧇āύ āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻž āĻ“ āĻĒā§‚āĻ°ā§āĻŦ āĻ­āĻžāϰāĻ¤ā§€ā§Ÿ āĻĻā§€āĻĒāĻĒ⧁āĻžā§āϜāĨ¤
Novel:

(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ āĻœā§‹āϏ⧇āĻĢ āĻ•āύāϰāĻžāĻĄ Secret Agent āĻāϰ āϏāĻžāĻĨ⧇ Darkness āĻ TT āϖ⧇āϞ⧇āĨ¤)

– Lord Jim: A Tale,
– The Heart of Darkness,
– Typhoon,
– The secret Agent.
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Rudyard Kipling:
â€ĸ āϤāĻŋāύāĻŋ āϜāĻ¨ā§āĻŽāĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āύ āĻŦā§‹āĻŽā§āĻŦ⧇āϤ⧇āĨ¤ āϤāĻžāρāϰ āĻŦ⧟āϏ āϝāĻ–āύ 5, āϤāĻ–āύ āϤāĻžāρāϰ āĻĒāϰāĻŋāĻŦāĻžāϰ āχāĻ‚āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄā§‡ āϚāϞ⧇ āϝāĻžā§ŸāĨ¤
â€ĸ āϤāĻŋāύāĻŋ 1907 āϏāĻžāϞ⧇ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇ āύ⧋āĻŦ⧇āϞ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āϞāĻžāĻ­ āĻ•āϰ⧇āύāĨ¤
â€ĸ Novel: (KCL)
– The Light that Failed.
– Captains Courageous
– Kim

â€ĸ āϛ⧋āϟāĻ—āĻ˛ā§āĻĒāσ
– The jungle Book
– The second jungle book
– Puck of Pook’s hill
– Debits and Credits.
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George Barnard Shaw (1856-1950)
â€ĸ āϏ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ⧇āϰ āĻĒāϰ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āϜāύāĻĒā§āϰāĻŋ⧟ āύāĻžāĻŸā§āϝāĻ•āĻžāϰāĨ¤
â€ĸ āĻ…āĻžāχāϰāĻŋāĻļ āύāĻžāĻŸā§āϝāĻ•āĻžāϰāĨ¤
â€ĸ 1925 āϏāĻžāϞ⧇ āύ⧋āĻŦ⧇āϞ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āϞāĻžāĻ­ āĻ•āϰ⧇āύāĨ¤

â€ĸ Drama
( ABCD )
– A- Arms & The Man
– B- Heart Break House, Major Barbara
– C-Caesar & Cleopatra, Candida
– D-The Doctors Dilemma

(PP Superman You never can Tell Widow Joan is Devil)

Man & Superman, The Philander, Pygmalion, You never can Tell, Saint Joan,Widower’s House, The Devil’s Disciple
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D H Lawrence (1885-1930)
– āϤāĻŋāύāĻŋ āĻ›āĻŋāϞ⧇āύ āĻ”āĻĒāĻ¨ā§āϝāĻžāϏāĻŋāĻ•, āĻ•āĻŦāĻŋ, āύāĻžāĻŸā§āϝāĻ•āĻžāϰ, āϏāĻŽāĻžāϞ⧋āϚāĻ•, āĻĒā§āϰāĻŦāĻ¨ā§āϧāĻ•āĻžāϰ, āĻ“ āϚāĻŋāĻ¤ā§āϰāĻļāĻŋāĻ˛ā§āĻĒā§€āĨ¤
– āĻŽāĻžāĻ¤ā§āϰ āϚ⧁⧟āĻžāĻ˛ā§āϞāĻŋāĻļ āĻŦāĻ›āϰ āĻŦ⧟āϏ⧇ āϝāĻ•ā§āώāĻž āϰ⧋āϗ⧇ āĻ…āĻžāĻ•ā§āϰāĻžāĻ¨ā§āϤ āĻšā§Ÿā§‡ āĻĢā§āϰāĻžāĻ¨ā§āϏ⧇āϰ āϭ⧇āύāĻ¸ā§ āĻļāĻšāϰ⧇ āĻŽāĻžāϰāĻž āϝāĻžāύ āĨ¤

â€ĸ Novel :
(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āύāĻŋ⧟āĻŽāσ S K ChoWdhuRy)
– Sons & Lovers
– Kangaroo.
– Lady Chatterley’s Lover.
– The White Peacock.
– Women In Love.
– The Rainbow.
– The Trespasser.
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Ernst Hemingway
– He was awarded noble in 1954. He killed himself in 1961.
– āĻ…āĻžāĻŽā§‡āϰāĻŋāĻ•āĻžāϰ āĻļāĻŋāĻ•āĻžāĻ—ā§‹āϤ⧇ āϤāĻŋāύāĻŋ 1899 āϏāĻžāϞ⧇ āϜāĻ¨ā§āĻŽāĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āύāĨ¤
– āϤāĻŋāύāĻŋ āϰ⧇āĻĄāĻ•ā§āϰāϏ⧇āϰ Agnes Von Kurosky āύāĻžāĻŽā§‡ āĻāĻ•āϜāύ āύāĻžāĻ°ā§āϏ⧇āϰ āĻĒā§āϰ⧇āĻŽā§‡ āĻĒā§œā§‡āύāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏ⧇ āĻŽāĻšāĻŋ⧟āϏ⧀ āĻāĻ•āϜāύ āχāϤāĻžāĻ˛ā§€ā§Ÿ āĻ…āĻĢāĻŋāϏāĻžāϰāϕ⧇ āĻŦāĻŋā§Ÿā§‡ āĻ•āϰ⧇āύāĨ¤ āĻ āϘāϟāύāĻžā§Ÿ āϤāĻŋāύāĻŋ āϞ⧇āϖ⧇āύ, – “A very Short Story”.
– 1953 āϏāĻžāϞ⧇ The Old Man and the sea āϰāϚāύāĻžāϰ āĻĒ⧁āϞāĻŋā§ŽāϜāĻžāϰ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āĻĒāĻžāύāĨ¤

â€ĸ Novel:
– For whom the Bell Tolls, (āϝ⧁āĻĻā§āϧ⧇āϰ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻžā§Ÿ)
– A Farewell to Arms, (āϝ⧁āĻĻā§āϧ⧇āϰ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻžā§Ÿ)
– The sun also rises,
– The Old Man & The Sea
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E M Forster
– He was nominated for the Nobel prize in English literature in 13 different years.
– Irish.

â€ĸ Novel
– A Passage to India,
– Where Angels fear to thread
– The Longest Journey
– The Room with a view.

(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āωāĻĒāĻžā§Ÿāσ A Passage to India is the logest journey, Angel āϰāĻžāĻ“ fear āĻ•āϰ⧇, āĻāϟāĻž āĻāĻ•āϟāĻž Room with a view āύ⧟āĨ¤ )
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â€ĸ William Golding
– 1983 āϏāĻžāϞ⧇ āϤāĻŋāύāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇ āύ⧋āĻŦ⧇āϞ āĻĒ⧁āϰāĻ¸ā§āĻ•āĻžāϰ āĻĒāĻžāύ āĨ¤
– Lord of the Files (Classic Novel) āύ⧋āϭ⧇āϞ⧇āϰ āϜāĻ¨ā§āϝ āϤāĻŋāύāĻŋ āĻŦāĻŋāĻ–ā§āϝāĻžāϤāĨ¤

Novel:

– Lord of the Files (Classic Novel),
– Darkness Visible,
– The Pyramid
– The Scorpion God.

(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āωāĻĒāĻžā§Ÿāσ Oh God ! Pyramid āĻāϰ āωāĻĒāϰ⧇āĻ“ gold āĻāϰ File āϗ⧁āϞ⧋ visible.)
Lord āφāϰ God – Darkness āĻāϰ āĻŽāĻ§ā§āϝ⧇ āĻ“ Pyramid āĻāϰ Fall āĻĻ⧇āĻ–āϤ⧇ āĻĒ⧇āϞ āĨ¤ Lord = Lord of the Flies â€Ļ. Darkness = Darkness visible â€Ļ.. Fall = Free fall â€Ļâ€Ļ. God = The Scorpion Godâ€Ļâ€Ļ. Pyramid = The Pyramid ____________________________________________

Huxley
– āϤāĻžāρāϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āωāĻĒāĻ¨ā§āϝāĻžāϏ- The New Brave World.āĻāχ āωāĻĒāĻ¨ā§āϝāĻžāϏ⧇āϰ āύāĻžāĻŽāĻ•āϰāĻŖ āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇ āωāχāϞāĻŋ⧟āĻžāĻŽ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ⧇āϰ The Tempest āύāĻžāϟāĻ• āĻĨ⧇āϕ⧇āĨ¤

â€ĸ Novel:
– The Brave New World
– Eyeless in Gaza,
– Time Must Have a Stop
____________________________________________
Ted Huges

â€ĸ Poet Laureate
â€ĸ Zoo laureate
āĻ•āĻŦāĻŋāϤāĻžāσ
– The Jaguar.
____________________________________________
James Joyce
– āĻ…āĻžāχāϰāĻŋāĻļ āĻ•āĻŦāĻŋ āĻ“ āĻ”āĻĒāĻ¨ā§āϝāĻžāϏāĻŋāĻ•āĨ¤
â€ĸ āĻ—āĻ˛ā§āĻĒ āϏāĻ‚āĻ•āϞāύāσ
– Dubliners

â€ĸ āύāĻžāϟāĻ•āσ
– Exiles

āωāĻĒāĻ¨ā§āϝāĻžāϏāσ
-Ulysses

____________________________________________
J M Synge (1871-1909)

– āĻāĻ•āϜāύ āφāχāϰāĻŋāĻļ
– āĻĒ⧁āϰ⧋ āύāĻžāĻŽ Edmund John Millington Synge
– W B Yeats āϤāĻžāϕ⧇ āĻ…āĻžā§ŸāĻžāϰāĻ˛ā§āϝāĻžāĻ¨ā§āĻĄā§‡ āĻĢāĻŋāϰ⧇ āϝāĻžāĻŦāĻžāϰ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ āĻĻāĻŋāϞ⧇ āϤāĻŋāύāĻŋ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇ āĻ…āĻžāϰāĻžāύ āĻĻā§āĻŦā§€āĻĒ⧇āϰ āĻ•ā§ƒāώāĻ•āĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āĻŦāϏāĻŦāĻžāϏ āĻ•āϰāϤ⧇ āĻ…āĻžāϰāĻŽā§āĻ­ āĻ•āϰ⧇āύāĨ¤
– āĻŽāĻžāĻ¤ā§āϰ ā§Šā§Ž āĻŦāĻ›āϰ āĻŦ⧟āϏ⧇ āĻ•ā§āϝāĻžāĻ¨ā§āϏāĻžāϰ āϰ⧋āϗ⧇ āĻŽāĻžāϰāĻž āϝāĻžāύ āĨ¤

â€ĸ Drama:
– Riders to the Sea,
– A Tinkers Wedding,
– Shadow of the Glen
– The well of the Saints

Somerset Maugham:

āϚāĻŋāĻ•āĻŋā§ŽāϏāĻ•āϤāĻž āĻ›ā§‡ā§œā§‡ āϤāĻŋāύāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒ⧇āĻļāĻž āĻœā§€āĻŦāύ āφāϰāĻŽā§āĻ­ āĻ•āϰ⧇āύ āĨ¤
â€ĸ āωāĻĒāĻ¨ā§āϝāĻžāϏāσ
– Of Human Bondage
– The Luncheon
– The Ant and the Grasshopper
– Now and then.

â€ĸ Play
– The sacred flame*****
____________________________________________
George Orwell
– āϤāĻŋāύāĻŋ āĻŦāĻ°ā§āĻŽāĻžā§Ÿ āĻĒ⧁āϞāĻŋāĻļ āĻ…āĻĢāĻŋāϏāĻžāϰ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āϛ⧇āύāĨ¤

â€ĸ Novel:
– Animal Farm,
– Nineteen Eighty Four,
– Burmese Day
(1984 āϏāĻžāϞ⧇ Burmese āĻ Animal Firm āĻĻāĻŋā§Ÿā§‡āĻ›āĻŋāϞ Orwell)

â€ĸ Story:
– Shooting An Elephant

____________________________________________

T S Eliot (1888-1965)
– T S – Thomas Stearns.
– āϜāĻ¨ā§āĻŽ āĻ…āĻžāĻŽā§‡āϰāĻŋāĻ•āĻžāϰ āĻŽāĻŋāϏ⧌āϰāĻŋ āĻĒā§āϰāĻĻ⧇āĻļ⧇āϰ āϏ⧇āĻ¨ā§āϟ āϞ⧁āχāϏ⧇āĨ¤
– āϤāĻŋāύāĻŋ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āϤāĻžāρāϰ ” Theory of objective -co-relative” āĻāϰ āϜāĻ¨ā§āϝāĨ¤
– He was awarded Noble prize in 1948.
– He was the Co-editor of The Egoist & Editor of Criterion.

â€ĸ Drama
– Murderer in the Cathedral
– The family reunion
– The cocktail Party.

(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āωāĻĒāĻžā§Ÿāσ Family Reunion āĻāϰ āύāĻžāĻŽ āĻ•āϰ⧇ Cocktail Party āϤ⧇ Murder, āĻāϟāĻž āύāĻžāϟāĻ• āύ⧟ āϤ⧋ āĻ•āĻŋ?)

â€ĸ Poem
– The Waste Land,
– The Hollow Men
– Poems
– Ash Wednesday
– Four Quarteds.

(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āωāĻĒāĻžā§Ÿāσ Wednesday āϤ⧇ āĻŽāĻžāύ⧁āώāϗ⧁āϞ⧋ āϏāĻŽā§Ÿ Waste āύāĻž āĻ•āϰ⧇ 4 poems āϞ⧇āϖ⧇)

____________________________________________

â€ĸ Virginia Woolf (āĻŽāĻšāĻŋāϞāĻž āωāĻĒāĻ¨ā§āϝāĻžāϏāĻŋāĻ•)

Novel:
– The Voyage Out, ******
– To the Light House, ****
– Pilgrimage, *****
– The Waves
– Flush
– Mrs. Dalloway. ********

â€ĸ H G Wells
____________________________________________
*Drama
-The Time Machine,
– The World Set Free
– The Invisible Man
– The first man in the moon.
(āĻŽāύ⧇ āϰāĻžāĻ–āĻžāϰ āωāĻĒāĻžā§Ÿāσ āϚāĻžāρāĻĻ⧇āϰ āĻĻ⧇āĻļ⧇āϰ invisible āĻŽāĻžāύ⧁āώ Time Machine āĻ āĻšā§œā§‡ World āĻāϰ Wells āĻĻ⧇āĻļ⧇ āϗ⧇āϞāĨ¤)
____________________________________________
â€ĸW B Yeats (1865-1939)

– Irish āĻ•āĻŦāĻŋāĨ¤
– Helped to Robindranath to translate Geetangali.
– 1899 āϏāĻžāϞ⧇ āϤāĻŋāύāĻŋ āĻ…āĻžāχāϰāĻŋāĻļ āĻ¨ā§āϝāĻžāĻļāύāĻžāϞ āĻĨāĻŋā§Ÿā§‡āϟāĻžāϰ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻž āĻ•āϰ⧇āύāĨ¤
– Awarded Noble in 1923.
– āϤāĻŋāύāĻŋ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āϤāĻžāρāϰ “use of symbolism and mysticism” āĻāϰ āϜāĻ¨ā§āϝ āĨ¤

* āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ (R(2) W(4) S T)
– The Resurrection,
– Responsibilities
– The Wandering of Oisin
– The Wind among the Reeds
– The Wind Swans at Coole
– The Winding Stair and Other Poems.
– In the Seven Woods
– The Tower.

â€ĸ Poem (Byzantium Easter Lake āĻ Second Time āϘ⧁āϰāϤ⧇ āĻ—āĻŋā§Ÿā§‡āĻ›āĻŋāϞ)
– Sailing to Byzantium.
– Easter.
– The Lake of Insifree
– The Second Coming.

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ā§§ā§ŦāĨ¤ āĻ­ā§‚āĻ—ā§‹āϞ āĻ“ āύ⧈āϤāĻŋāĻ•āϤāĻžā§Ÿ āĻ­āĻžāϞ⧋ āĻ•āϰāϤ⧇ āϚāĻžāχāϞ⧇


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ā§§ā§ŽāĨ¤ āĻĒā§āϰāĻŋāϞāĻŋāĻŽāĻŋāύāĻžāϰāĻŋ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āĻļ⧇āώ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇



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#āĻ“āϏāĻŽāĻžāύāĻŋ #āφāĻ¤ā§āĻŽāϏāĻŽāĻ°ā§āĻĒāĻŖ āĻ…āύ⧁āĻˇā§āĻ āĻžāύ #āĻŽāĻŋāĻļāϰ #Egypt ā§§. āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻž āĻ“ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ ā§§. āĻšā§āϝāĻžāĻ¨ā§āĻĄāύ⧋āϟ āĻāĻŦāĻ‚ āϤāĻĨā§āϝāĻŦāĻšā§āϞ āϚāĻŋāĻ¤ā§āϰ ā§§ā§Ļ. āύ⧈āϤāĻŋāĻ•āϤāĻž āĻŽā§‚āĻ˛ā§āϝāĻŦā§‹āϧ āĻ“ āϏ⧁āĻļāĻžāϏāύ ā§§ā§§. āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āĻĒā§āϰāĻļā§āύ āĻ“ āϏāĻŽāĻžāϧāĻžāύ ⧍. āχāĻ‚āϰ⧇āϜāĻŋ āĻ­āĻžāώāĻž āĻ“ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ ā§Š. āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŦāĻŋāώāϝāĻŧāĻžāĻŦāϞāĻŋ ā§Ē. āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āĻŦāĻŋāώāϝāĻŧāĻžāĻŦāϞāĻŋ ā§Ēā§Ļā§ĻāϟāĻŋ āĻĒā§āϰāĻļā§āύ⧋āĻ¤ā§āϤāϰ: āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āĻāĻŦāĻ‚ āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ-āĻĒā§āϰāϝ⧁āĻ•ā§āϤāĻŋ 43rd BCS ā§Ģ. āĻ­āĻžāχāĻ­āĻž āĻŦā§‹āĻ°ā§āĻĄ ā§Ģ. āĻ­ā§‚āĻ—ā§‹āϞ (āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻ“ āĻŦāĻŋāĻļā§āĻŦ) āĻĒāϰāĻŋāĻŦ⧇āĻļ āĻ“ āĻĻ⧁āĻ°ā§āϝ⧋āĻ— āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž ā§Ģ⧍ āĻĨ⧇āϕ⧇ ā§­ā§§ ā§Ŧ. āϏāĻžāϧāĻžāϰāĻŖ āĻŦāĻŋāĻœā§āĻžāĻžāύ ā§­ āĻŽāĻžāĻ°ā§āϚ ā§­. āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āĻ“ āϤāĻĨā§āϝāĻĒā§āϰāϝ⧁āĻ•ā§āϤāĻŋ ā§Ž. āĻ—āĻžāĻŖāĻŋāϤāĻŋāĻ• āϝ⧁āĻ•ā§āϤāĻŋ ⧝. āĻŽāĻžāύāϏāĻŋāĻ• āĻĻāĻ•ā§āώāϤāĻž āĻ…āύ⧁āĻĒā§āϰ⧇āϰāĻŖāĻž āĻ…āύ⧁āĻĒā§āϰ⧇āϰāĻŖāĻž - Motivation āφāχāύāĻ•āĻžāύ⧁āύ āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āϚ⧁āĻ•ā§āϤāĻŋ āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āĻŦāĻŋāώ⧟: āϏ⧀āĻŽāĻžāϰ⧇āĻ–āĻž āφāĻ¨ā§āϤāĻ°ā§āϜāĻžāϤāĻŋāĻ• āϏ⧀āĻŽāĻžāϰ⧇āĻ–āĻž āφāĻĒāĻĄā§‡āϟ āφāĻĒāĻĄā§‡āϟ āϤāĻĨā§āϝ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰ āĻ“ āφāĻŦāĻŋāĻˇā§āĻ•āĻžāϰāĻ• āφāϞ⧋āϚāĻŋāϤ ā§§ā§§ āϜāύ āĻ•āĻŦāĻŋ-āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āĻ“ āϤāĻžāρāĻĻ⧇āϰ āϰāϚāύāĻžāĻŦāϞ⧀ āχāĻ‚āϰ⧇āϜāĻŋ āχāĻ‚āϰ⧇āϜāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āωāĻĒāĻžāϧāĻŋ āĻ“ āĻ›āĻĻā§āĻŽāύāĻžāĻŽ āĻāϟāĻ°ā§āύāĻŋ āĻœā§‡āύāĻžāϰ⧇āϞ āĻāĻŦāĻžāϰ āϝāĻžāĻĻ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻŦāĻŋāϏāĻŋāĻāϏ āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ āĻ“ āϤāĻĨā§āϝ āĻĒā§āϰāϝ⧁āĻ•ā§āϤāĻŋ āĻ—āĻŖāĻŋāϤ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻĒā§āϰāĻļā§āύ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻŦ⧈āĻœā§āĻžāĻžāύāĻŋāĻ• āύāĻžāĻŽ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻļāĻŦā§āĻĻ āĻĒāϰāĻŋāϚāĻŋāϤāĻŋ āϚāĻ°ā§āϝāĻžāĻĒāĻĻ āϚāĻ°ā§āϝāĻžāĻĒāĻĻ⧇āϰ āĻ•āĻŦāĻŋāĻ—āĻŖ āϜāĻžāϤ⧀āϝāĻŧ āĻœā§āĻžāĻžāύ-āĻŦāĻŋāĻœā§āĻžāĻžāύ⧇āϰ āĻļāĻžāĻ–āĻž āĻāĻŦāĻ‚ āϜāύāĻ• āĻœā§āϝāĻžāĻŽāĻŋāϤāĻŋāĻ• āϏ⧂āĻ¤ā§āϰ āĻĻ⧇āĻļā§€ āĻŦāĻŋāĻœā§āĻžāĻžāύ⧀āϰāĻž āύāĻĻ-āύāĻĻā§€ āύāĻŦāĻŽ-āĻĻāĻļāĻŽ āĻļā§āϰ⧇āĻŖāĻŋāϰ āĻŦāĻžāĻ‚āϞāĻž āĻŦā§āϝāĻžāĻ•āϰāĻŖ āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž āĻāĻŦāĻ‚ āĻ›āĻĻā§āĻŽāύāĻžāĻŽ āĻĒāĻĻ āĻĒā§āϰāĻ•āϰāĻŖ āĻĒāϰāϰāĻžāĻˇā§āĻŸā§āϰāύ⧀āϤāĻŋ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ V. V. V. I. āĻĒāϰāĻŋāĻŦ⧇āĻļ āĻ“ āĻĻ⧁āĻ°ā§āϝ⧋āĻ— āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻž āĻĒāϰāĻŋāĻŽāĻŋāϤāĻŋāϰ (Mensuration) āϏ⧂āĻ¤ā§āϰāĻžāĻŦāϞāĻŋāϏāĻŽā§‚āĻš āĻĒāĻžāρāϚāĻŽāĻŋāĻļāĻžāϞ⧀ āϤāĻĨā§āϝ + āϏāĻžāϧāĻžāϰāĻŖ āĻœā§āĻžāĻžāύ āĻĒāĻžāϰāĻŋāĻ­āĻžāώāĻŋāĻ• āĻļāĻŦā§āĻĻ āĻĒ⧁āϰāĻžāϤāύ āĻ“ āύāϤ⧁āύ āύāĻžāĻŽ āĻĒā§āϰāϤāĻŋāĻļāĻŦā§āĻĻ āĻĒā§āϰāĻĨāĻŽ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤāĻŋāĻšā§€āύ āĻŦāĻŋāϏāĻŋāĻāϏ āϝāĻžāĻ¤ā§āϰāĻž āĻĢāϞāĻž āĻāĻŦāĻ‚ āϝ⧁āĻ•ā§āϤāĻžāĻ•ā§āώāϰ āĻĢāĻžāρāĻĻ āĻĒā§āϰāĻļā§āύ āĻĢāĻŋāϞāĻŋāĻ¸ā§āϤāĻŋāύ Palestine āĻĢā§āϰāĻžāĻ¨ā§āϏ⧇āϰ āχāϏāϞāĻžāĻŽ-āĻŦāĻŋāĻĻā§āĻŦ⧇āώ āĻŦāĻ™ā§āĻ—āĻŦāĻ¨ā§āϧ⧁ āĻ¸ā§āϝāĻžāĻŸā§‡āϞāĻžāχāϟ āĻŦāĻžāĻ‚āϞāĻž āĻŦāĻžāĻ‚āϞāĻž āĻ“ āχāĻ‚āϰ⧇āϜāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇āϰ āĻŽāĻŋāϞāĻŦāĻ¨ā§āϧāύ āĻŦāĻžāĻ‚āϞāĻž āĻŦā§āϝāĻžāĻ•āϰāĻŖ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻž āĻ“ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āĻŦāĻžāĻ‚āϞāĻž āĻļāĻŦā§āĻĻāĻžāĻ°ā§āĻĨ āĻŦāĻžāĻ‚āϞāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āĻŦāĻžāĻ‚āϞāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇āϰ āĻĻ⧁āχ āĻŽāĻšāĻžāϰāĻĨā§€ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻ“ āĻŦāĻŋāĻļā§āĻŦāĻĒāϰāĻŋāϚāϝāĻŧ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŦāĻŋāώāϝāĻŧāĻžāĻŦāϞāĻŋ āĻŦāĻžāĻ—āϧāĻžāϰāĻž āĻŦāĻžāύāĻžāύ āĻļ⧁āĻĻā§āϧāĻŋāĻ•āϰāĻŖ āĻŦāĻŋāĻ—āϤ āĻĒāϰ⧀āĻ•ā§āώāĻžāϏāĻŽā§‚āĻš āĻŦāĻŋāĻĒā§āϞāĻŦ āĻŦāĻŋāĻ­āĻ•ā§āϤāĻŋ āĻŦāĻŋāϏāĻŋāĻāϏ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ āĻŦāĻŋāϏāĻŋāĻāϏ āĻ­āĻžāχāĻ­āĻž āĻĒā§āϰāĻ¸ā§āϤ⧁āϤāĻŋ āĻŦ⧁āĻĻā§āϧāĻŋāĻœā§€āĻŦā§€ āĻšāĻ¤ā§āϝāĻžāĻ•āĻžāĻŖā§āĻĄ āĻ­āĻžāώāĻž āφāĻ¨ā§āĻĻā§‹āϞāύ āĻ­ā§‚āĻ—ā§‹āϞ āϭ⧌āĻ—ā§‹āϞāĻŋāĻ• āωāĻĒāύāĻžāĻŽ āĻ­ā§āϝāĻžāĻ•āϏāĻŋāύ āϕ⧂āϟāύ⧀āϤāĻŋ āĻāĻŦāĻ‚ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŽāĻĄā§‡āϞ āĻŸā§‡āĻ¸ā§āϟ āĻŽāĻĄā§‡āϞāĻŸā§‡āĻ¸ā§āϟ āĻŽāĻšāĻžāĻ•āĻžāĻļ āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ āĻ­āĻŋāĻ¤ā§āϤāĻŋāĻ• āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻ•āĻ°ā§āĻŽ āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ⧇āϰ āĻŦā§€āϰāĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āϖ⧇āϤāĻžāĻŦ āĻŽā§āĻ•ā§āϤāĻŋāϝ⧁āĻĻā§āϧ⧇āϰ āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻ­āĻžāĻŖā§āĻĄāĻžāϰ āϝ⧁āĻ•ā§āϤ āĻŦāĻ°ā§āĻŖ āϞāĻŋāĻ–āĻŋāϤ āĻ—āĻžāχāĻĄāϞāĻžāχāύ āϞāĻŋāĻ–āĻŋāϤ āĻĒāϰ⧀āĻ•ā§āώāĻž āϞ⧇āĻ–āĻž āĻ“ āϞ⧇āĻ–āĻ• āĻļ⧇āώ āĻŽā§āĻšā§āĻ°ā§āϤ⧇āϰ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤāĻŋ āĻ“ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļ āĻļā§āϰ⧇āĻˇā§āĻ  āĻŦāĻžāĻ™āĻžāϞāĻŋ âœī¸âœī¸ āϏāĻ‚āĻŦāĻŋāϧāĻžāύ āϏāĻ‚āĻŦāĻŋāϧāĻžāύ āϏāĻ‚āĻļā§‹āϧāύ⧀ āϏāĻĻāϰ-āĻĻāĻĒā§āϤāϰ āϏāĻ­ā§āϝāϤāĻž āϏāĻŽāĻžāϏ āϏāĻžāĻœā§‡āĻļāύ āϏāĻžāϧāĻžāϰāĻŖ āĻœā§āĻžāĻžāύ āϏāĻžāϧāĻžāϰāĻŖ āĻŦāĻŋāĻœā§āĻžāĻžāύ āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ• āϏāĻžāĻšāĻŋāĻ¤ā§āϝ-āĻ‰ā§ŽāϏāĻ°ā§āĻ— āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āϏāĻžāĻšāĻŋāĻ¤ā§āϝ⧇ āĻ•āύāĻĢāĻŋāωāĻļāύ āĻ¸ā§āĻĨāĻžāĻĒāĻ¤ā§āϝ āĻ“ āĻ¸ā§āĻĨāĻĒāϤāĻŋ āĻ¸ā§āĻĒā§‹āϕ⧇āύ āχāĻ‚āϞāĻŋāĻļ All Things Review Bangladesh Constitution BCS Preliminary Question Analysis BCS Preparation Special Episodes BCS Questions Earn Money Eat Chew Drink Take Have ? English Grammar English Grammar Exercises with Answers English Grammar Test English Literature Essay Writing General Science ICT Idioms and Phrases International financial institutions Love Stories in Literature Nobel Prize One Word Substitution Preposition Quiz Redundancy āĻŦāĻžāĻšā§āĻ˛ā§āϝ (āĻĻā§‹āώ) Shortcut to Preposition Spoken English Terrorism Transformation of Sentences 👍 Translation United Nations Vocabulary Warrant of Precedence World Wars

āĻāϟāĻŋ āĻŦāĻŋāϏāĻŋāĻāϏ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āϜāĻ¨ā§āϝ āĻ…āύ⧇āĻ• āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ:


Literary Terms 


1. Simile (āωāĻĒāĻŽāĻž):

āĻĻ⧁āϟāĻŋ āφāϞāĻžāĻĻāĻž āĻŦāĻ¸ā§āϤ⧁ āĻŦāĻž āĻĻ⧁āχāϜāύ āĻŦā§āϝāĻ•ā§āϤāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ as, like, resemble, the same as āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āĻļāĻŦā§āĻĻāϗ⧁āϞāĻžā§‡āϰ āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰ⧇ āϏāϰāĻžāϏāϰāĻŋ āϤ⧁āϞāύāĻž āĻ•āϰāĻžāϕ⧇ simile āĻŦāϞ⧇āĨ¤ 

Example -

â€ĸ I wandered lonely as a cloud. 

â€ĸ Youth (is) like summer morn.

â€ĸ My heart is like a singing bird. 

â€ĸ He is as cunning as a fox. 


2. Metaphor (āϰ⧂āĻĒāĻ•):

āĻĻ⧁āϟāĻŋ āφāϞāĻžāĻĻāĻž āĻŦāĻ¸ā§āϤ⧁ āĻŦāĻž āĻĻ⧁āχāϜāύ āĻŦā§āϝāĻ•ā§āϤāĻŋāϰ āĻŽāĻ§ā§āϝ⧇ comparision āĻāϰ āĻļāĻŦā§āĻĻāϏāĻŽā§‚āĻš (āϝ⧇āĻŽāύ: as, such, like āχāĻ¤ā§āϝāĻžāĻĻāĻŋ) āĻŦā§āϝāĻŦāĻšāĻžāϰ āύāĻž āĻ•āϰ⧇āχ āϤ⧁āϞāύāĻž āĻ•āϰāĻžāϕ⧇ metaphor āĻŦāϞ⧇āĨ¤ 

Example -

â€ĸ Liza is a rose.

â€ĸ Life is but a walking shadow. 

â€ĸ Nazrul is fire.

â€ĸ My brother was boiling mad. 


Note: āĻāĻ•āχ āϜāĻžāϤ⧀āϝāĻŧ āĻŦāĻŋāώāϝāĻŧāĻŦāĻ¸ā§āϤ⧁āϰ āĻŽāĻ§ā§āϝ⧇ āϤ⧁āϞāύāĻž āĻšāϞ⧇ ......... Read More 


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